by activelight | Nov 2, 2017 | Equipment, How to shoot, Leica |
I admit it – I’m a Leica user. Yes, it can be an expensive addiction, but you’re buying something much more durable than a simple buzzed high. And potentially much more satisfying. In Albuquerque’s Heights Leica M10 with 75mm f/2...
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by activelight | Aug 10, 2017 | Canon, Equipment, How to shoot, Leica, Sports, Travel, Wildlife |
I can shoot that picture in one lens, Tom Before usable zooms, a common question was how many lenses you needed to shoot most pictures. If you were using a rangefinder camera in the early 1960s, you might be carrying a 35mm and a 90mm. You got a mild wide angle and...
![How Many Lenses Do You Need?]()
by activelight | Dec 29, 2016 | Equipment, How to shoot, Landscape photography, Winter Photography |
Why you’re out there – Winter sunrise at Hardware Ranch Wildlife Management Area, Utah Better Living Through Chemistry I had a chemistry set when I was a kid. Hidden in a red metal fold-out box, its shelves held mysterious and colorful potions just waiting...
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by activelight | Nov 1, 2016 | Ancestral Puebloan, Architecture, Equipment, How to shoot, Ruins, Travel |
From part 1 – Did you remember where you left the camera case? Avoid dropping your flash into San Francisco Bay? Good – you learned from my mistakes! This week I’ll show you how I carry gear for interiors, ruins and travel. The part 1 approach still...
![How Many Lenses Do You Need?]()
by activelight | Oct 26, 2016 | Equipment, Events, How to shoot, Sports, Wildlife |
I really hate being a packhorse. But when I shoot wildlife, travel, ruins, or interiors for a client, I need heavier equipment. More of it. And a way to carry it. Leave The Kitchen Sink At Home I need to decide what I’m bringing first. That choice is easier if...
![How Many Lenses Do You Need?]()
by activelight | Oct 20, 2016 | Equipment, Events, How to shoot, People, Portraits |
You’ve probably been to at least one of these. A harried photographer scampers everywhere with cameras and flash, attempting to capture every picture the bride and groom (and their families) could possibly want, and trying to tell a story at the same time. Or...
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